Posts Tagged ‘Champion of Mars’


Hey chaps, I noticed yesterday that the kindle version of Champion of Mars is available for a mere £3.08 on UK Amazon, and $4.77 on US Amazon. Obviously I’d recommend it, as it’s my book, but the price really is low right now, so if you fancy something a little bit different for your Bank Holiday weekend read (okay, holidays in the UK only, but you know), then check it out. Not convinced yet? Here’s a reminder of what the Guardian said about it.

Maybe one more reminder of this tomorrow, then I promise I’ll go back to standing aloof from the grubby business of commerce, like a proper author should. That’s what it says I should do in my artistes’ handbook anyway, but I might be wrong. It’s stained with absinthe, cigarillo burns and something else that looks really icky, and is written in French.


Not blogged for a while, sorry folks. Been writing see? Lots of lovely words. Okay, there has been some wandering around the wintry landscape with my improbable dog, and some whisky, and some painting of Orks… But mostly, hard, hard grafting. Today, something happened to push all my ego buttons and send me back here. Being all puffed up like, I figured I’d share.

A few weeks ago, Damien G Walter launched his annual Scifi Hunt, where he throws out an invitation to authors and independent publishers to submit their work for examination on his Guardian column. He had 800 submissions this year, and chose five of them.  Champion of Mars was among them! Here’s what he had to say:

Guy Haley’s Champion of Mars celebrates all that is best in the pulp tradition of SF and fantasy. A clear homage to the Barsoom novels of Edgar Rice Burroughs (poorly adapted to film last year as the confused John Carter), there’s also a strong flavour of British “space opera” in Champion of Mars, with flourishes of Iain M Banks and Michael Moorcock. Guy Haley interweaves two timelines, one a near-future Hard SF narrative, the other a far-future planetary romance, both focused on the looming red presence of Mars. Simply put, Guy Haley is a very good writer, with an infectious love for sci-fi that shines off every page of his pulp-inspired prose. If there is one author in this list who might write a Game of Thrones-scale hit in future, it’s Haley.

Go right here to see Damien’s other four picks: The Vorrh, by Brian Catling; The Theatre of Curious Acts, by Cate Gardner; Adrift on the Sea of Rains by Ian Sales; and his favourite, A Pretty Mouth, by Molly Tanzer.

Much respect is due to Damien for, firstly, doing this in the first place —there’s precious little publicity for indie authors, and every good word counts — and secondly, wading through his forty-score submissions.


Seasons greetings all!

Yep, snow is falling on my blog. It looks like dandruff, but it is supposed to be snow. That means Christmas approaches, and so do many deadlines… Ulp.

But I’ve been so remiss in not blogging, so here’s a short message.

For your delectation today, I have three marvellous pieces of news. First, here’s the cover of The Crash, my second book for Solaris, out next June:

Crash

It’s a work in progress right now, but it’s nearly done, I think. For a description of the book, see my previous post.

Another announcement – I’ve been fortunate enough to have been asked to write a short story for the Black Library’s advent calendar this year! I can’t tell you what it is about, because it’s Christmas and Christmas is all about surprises, but I can tell you that it will be available on 17th December. Click on the link to find out more.

Lastly, if you go here to Whatever, John Scalzi’s blog, you can see me dance like a monkey on an electric wire (figuratively speaking), trying to get people to consider  Reality 36, Omega Point, and Champion of Mars as Christmas presents. You mean you hadn’t thought of that yourself? Then think about it. It’s a great idea. Really.

Ahem, I should mention that Mr Scalzi has thrown open his blog to all authors,  other books are available, and indeed, there are many other writers in the thread talking about their own books, many of which sound pretty damn fine.

If you’re a writer yourself, I heartily advise taking advantage of Scalzi’s generosity and join in the festive PR frenzy.

Later this week, I’ll be posting the cover for my next 40k book, The Death of Integrity.  Till then, stay frosty, it’s cold enough to do so, even if it is unfashionable to say so (at least it’s not raining any more here in England. And it has been raining ALL YEAR).


Last week, some of you might have seen an announcement from Solaris concerning my second book to be published by them. This is another of the projects I’ve been alluding to on this blog and Twitter over the last few months, but have not been able to speak about. Typically, the news broke when I was eyeball deep in anime moppets and monsters, editing SFX‘s anime special edition. I still am, in fact, editing the magazine, but I’ve a few fleeting minutes to blog about the book now and tell you a little more about it.

First up, here’s what Jonathan Oliver had to say at the Solaris website and When Gravity Fails, their editor’s blog

Unalloyed greed, markets dictating the will of humanity – when The Crash comes, nothing will be left standing.

In a topical science-fiction take on the world’s current economic woes, breakthrough author Guy Haley envisages a society in utter thrall to commerce, which must constantly expand to sustain itself. When a mission to the stars begins to go wrong, the fragility of human society and progress is exposed.

The Crash is due for release in July 2013, it is Haley’s second book for Solaris.

His first, Champion of Mars, was released in May this year and was described by SF legend Stephen Baxter as “a novel with an ambition on the scale of Olympus Mons itself, and it delivers. Recommended.

“Guy Haley’s SF invokes in me the same excitement I had when reading Ray Bradbury, Robert Silverberg and Arthur C. Clarke’s works for the first time,” said Jonathan Oliver, editor-in-chief of Solaris. “His fiction is packed full of ideas while maintaining a very human voice. Haley’s work is complex, exciting and vastly entertaining and I’m delighted to welcome him back to the Solaris fold.”

The Market rules all, plotting the rise and fall of fortunes without human intervention. Mankind, trapped by a rigid hierarchy of wealth, bends to its every whim. To function, the Market must expand without end. The Earth is finite, and cannot hold it, and so a bold venture to the stars is begun, offering a rare chance at freedom to a select few people.

But when the colony fleet is sabotaged, a small group finds itself marooned upon the tidally locked world of Nychthemeron, a world where one hemisphere is bathed in perpetual daylight, the other hidden by eternal night. Isolated and beset, the stricken colony members must fight for survival on the hostile planet, while secrets about both the nature of their shipwreck and Nychthemeron itself threaten to tear their fragile society apart.

I have a big old thing for colony SF. I enjoy following bands of plucky frontier types struggling to survive on alien worlds, and I absolutely love colony ship gone wrong scenarios. The tougher the odds the better. In this loose category I’d include the Deathworld Trilogy by Harry Harrison, Grass by Sheri Tepper, some of Neal Asher’s books, Non-stop by Brian Aldiss, Robinson Crusoe on Mars, the Colsec trilogy by Douglas Hill (ah, good old Douglas Hill), Aliens, Avatar (still not seen it thought), Aliens, Pandorum, Red Fang by Philip Palmer… You get the idea, there are loads more. I looked at the theme of man’s expansion into space a little in Champion of Mars, but this is more of a BIG SF take on the concept – weird alien life, interstellar travel, exotic worlds, the works.

The Crash is ostensibly a standalone novel, and naturally a part of it will deal with the way I fear Earth might be heading – overpopulated, environmentally degraded, impoverished, with a small, new aristocracy who are fabulous wealthy, and the rest of us struggling to survive.

It’s also inspired by this famous quote by Kenneth Boulding: “Anyone who believes exponential growth can go on forever in a finite world is either a madman or an economist.” And by the concept of “Spaceship Earth.”

However, don’t expect hundreds of pages setting out what I think is wrong with modern capitalism. Most of the story is about the fight to stay alive on an alien planet with limited resources. Ultimately, I want to develop a space opera series set in this universe, charting a future history where scattered groups of human beings shipwrecked on numerous worlds take differing routes to survive, and how the very diverse range of cultures these circumstances create eventually come into contact – and conflict – with one another. All very exciting, but I need to finish the first one before all that.

What’s your favourite colony story? Let me know!


At last! I can tell you about some of the very exciting things that I know about and that you don’t, or rather didn’t know until now!

Today I can finally reveal not one, but two of my Black Library novels. In case the picture above doesn’t give it away, one is Skarsnik, about the infamous night goblin warlord.

I’m a big Warhammer fan, as you might know. I started playing in 1984 with the first edition of the fantasy game. That’s right, when there was none of this new fangled Warhammer 40,000 business and Toughness values were represented by letters. I was 11. I’m now 39, so I’ve been playing for 28 years. And I still play. I love it. (Playing for so long puts on odd perspective on things – I bought myself a little birthday gift on Wednesday, a box of plastic bikers for my 40k ork army. I’ve wanted these for ages. To me they are “new models”. They came out five years ago).

I’ve always been a massive greenskin fan, leading orcs and goblins since day one. For years they lost, but the last half decade has been kind to my green minions and they now win more often than not. It helps that Skarsnik himself is my army general. Want to see my army list? Here it is.

Skarsnik’s Stabbas

(I date all my army lists when I draw them up. This is the most recent variation on Skarsnik’s army, but it really doesn’t change that much. The last game I played with this was 7/5/2012. It represents but a small proportion of my greater goblin horde. No, I don’t have any orcs in my army, although I have Ruglud’s Armoured Orcs prepped for painting because they are very cool. Other orcs can go feed my squigs. Literally).

Naturally I was well up for it when Nick Kyme at The Black Library suggested I write a novel about Skarsnik. Nick worked for me when I edited White Dwarf magazine, now I kind of work for him. A strange reversal, but a fruitful one. Our earlier association means he knows full well how much I like my goblins.

I’ve put up a page on Skarsnik here with a brief breakdown of the plot, so I won’t repeat myself, but I will tell you some of what I am trying to do with the story. A lot of people see goblins as funny, comic relief characters (why, just check out The Black Library’s own blog post to see how prevalent this attitude is). Granted, they are funny, but they are also vicious, wicked, baby-eating horrors of the first degree. “Ooh! Look at the funny goblins”, gamers say. Yeah well, you wouldn’t want to be bound to spiky stick in a stinky cave with a lot of them standing around you. They’d have knives, and they’d be laughing. Not so funny now, are they?

Come to think of it, you probably don’t want to face mine on the battlefield either.

So, I wanted to capture both sides of this character. You’ll see how amusing and horrifying goblins are as we watch Skarsnik trick, wheedle and stab his way from sporeling to king of Karak Eight Peaks. For non-goblin fanatics there is plenty of skaven and dwarf action, with a little bit of the Empire thrown in. Truly, Skarsnik is a cornucopic fantasy delight.

Now to the other project. Sharp eyes might have seen this on Amazon. Yes, I’ve also written a Warhammer 40,000 novel called Baneblade. It’s about the tank of the same name. Although I wrote this book quite a while ago, and it is actually out some time before Skarsnik, the arcane nature of publishing dictates that I can say only that it’s about a young lieutenant of a noble house who joins a veteran baneblade crew. And that’s your lot.

By the Emperor, there’s more! I’m also writing another book for BL called [REDACTED] about the [REDACTED] and the [REDACTED] who must [REDACTED] before [REDACTED] and the [REDACTED] is [REDACTED]! I’ve not finished writing that yet but I’m having a lot of fun with it. More later when I am free to talk.

Of course, none of this is out for a while, so why not (blatant plug time! Please forgive me, I have to eat) check out my Richards & Klein books. A buddy-cop adventure series set in the 22nd century that pairs a dour, ex-military German cyborg with a wiseass super computer in a trenchcoat. Click here for more on both books, and free R&K short stories “The Nemesis Worm” and “Ghost”. You may also like Champion of Mars, an epic tale spanning millennia from the next century to the far, far future of the Red Planet.

There are further free short stories here on the site (of varying vintage, so perhaps not me at my best, but still interesting). There are some others you can buy if you wish at The Angry Robot Trading Company.

Right, you’ve been good and read my pleading for you to buy my books. In return, please feel free to ask me anything about anything – including these hot, newly announced BL titles – in the comments. Games, journalism, GW, Mantic, SFX, White Dwarf, whatever. I will answer what I am allowed to. Think of it as an interview by you, if you like.

If you’re into wargaming, you might want to follow me on this blog and/or on twitter, as there will be another announcement on the little toy men front soon. Plus there’s all the SF/Fantasy/Horror reviews, interviews, features and so forth you get regularly on this site. On twitter you might have to put up with a bunch of stuff about dogs, beer, social issues, the environment and children, but I do talk about gaming, SF and writing sometimes.

Thank you for your attention. Guy out.


I’m going to be one of a bazillion bloggers writing about Ray Bradbury today, and I probably won’t be saying much new, but he was an important writer to me and I want to say something.

I’m not much moved by the cult of fame. Like a lot of modern life, it really, really annoys me. Many celebrities don’t do much by way of justifying their exalted status. Authors in general do more to deserve approbation than some of our planet’s famed sons and daughters, toiling away on their own, but even they can be less talented than they believe, and can let their success, should the fickle vagaries of fate bestow it upon them, go to their heads. You’ll not see many posts like this from me.

Ray Bradbury was one of those who thoroughly deserved the plaudits heaped upon him, and more besides. He was one of the loose handful of SF writers whose work transcended their favoured genre and can genuinely, whole-heartedly be described as art.

Bradbury apparently had a great love of life, but what always stays with me from his work is the sense of melancholy at life passing that it evokes. Long summer nights giving way to autumn days, the bittersweet exchange of childhood for adulthood, of youth for middle-age; the thrilling slip of experience as it runs through our hands, inevitably dragging time and, ultimately, the cessation of experience behind it. Naturally, the brassy light of apple days is predominant in works he wrote later in his life, but it was always evident. Something Wicked This Way Comes epitomises these feelings for me, whose teenage hero literally sees his childhood end, as does the Martian Chronicles, where the venerable Martian civilisation has to make way for something new, as do all things in their due time.

This was a powerful message for my teenage self. I read many of his short stories and novels in the late ’80s as my own boyhood ticked closer to its conclusion. They infused my own utterly indulgent and somewhat risible sense of adolescent sorrow with a touch of nobility.

Bradbury was one of the great prose stylists of 20th Century American fiction. He had a knack for phrases that stick long in the mind, and a powerful way with imagery. There are moments from his work aplenty that have taken up permanent residence in my head – A man planting trees on Mars and an automated house’s valiant attempts to survive post-apocalyptic Earth in The Martian Chronicles. Alien guns that fire bees (bees!) from the same. Calliopes, a carousel of wishes and the balloon-borne Dust Witch sniffing her way over town in Something Wicked This Way Comes, the warped writing and chemical tang on the air encountered by returning chrononauts in “A Sound of Thunder”, Guy Montag discovering reading in Fahrenheit 451. And of course that golden sunlight.

Bradbury died yesterday, on my 39th birthday. I never met him, but I did speak to him on the phone. I tried to arrange an interview with him while on a US trip, from the LA offices of Alliance Atlantis who had produced Ray Bradbury Theater. This was in 1999, and he had not long before suffered a stroke. If I recall correctly, it was my foolish insistence on a picture (magazine policy, but a more experienced me would have known to disregard it) that prevented our meeting. Such a wasted opportunity, and one I will forever regret. Still, I feel privileged to have spoken to him at all.

My book Champion of Mars was very much inspired by Bradbury, although my talent (I’m cringing inside even using that word in relation to my own work) is like a molehill to his mountain. He’s one of the writers that opened my eyes to the fact that books could be far more than just entertainment, and how truly magical writing can be. If it weren’t for him and others like him I wouldn’t be a writer at all, and I’ll always be thankful for that.

I don’t have any reviews or pieces about Bradbury’s work directly, but here is a review of the 1980 TV mini-series The Martian Chronicles. I loved it as a child and loved it again recently, although Bradbury himself famously called it “boring”.


So I said that I’d publish something new every weekday, I lasted a fortnight, and then fell away. Sue me! (No actually don’t. I have no money, and you will ruin me).

In truth I’m waiting on the pieces on a few projects to slot into place, because then I should have a number of excellent announcements to shout about. I’ve been waiting thinking “Oh, that’ll make a far more interesting post than what I had in mind,” and of course they have not been quite ready, and time has slipped on. I’m also stretched right now, as I’m editing a magazine for SFX and writing a novel for [CENSORED]. Normal service will resume soon.

In the meantime, there have been a number of nice reviews of Champion of Mars, at Fantasy Bytes, The Founding Fields, and Starburst, also a good one of Omega Point at Kate of Mind.

Actually, I’d like to say thanks to everyone who has reviewed my books, good and bad scores both. The biggest single problem with being a new writer is that no one knows who the hell you are. I’ve been thinking about getting your name “out there” and finding your audience, and the problems and opportunities modern tech gives us in fulfilling that aim. I may well blog on it soon. For now, thanks very much to everyone who takes time to post their opinions after reading the books. Each one helps me reach new readers.

There’ll be another one of my irregular Monday short stories on (surprise!) Monday, next week; a fantasy. Let me know what you think. I’ll try to get a bunch of reviews and that up here too soon. Honest.

Now back to twiddling my thumbs, waiting to tell you the exciting stuff I know… I mean, writing furiously to get this book for [CENSORED] finished.

Laters.


The frankly stunning cover to Champion of Mars was painted by Dominick Saponaro. Visit his website for more examples of his work.

My new book, Champion of Mars, is out in the UK today. I’m excited about this one, as the story the book grew from has always been close to my heart. An epic tale spanning hundreds of centuries, Champion of Mars takes in the near future, the far future, and the times in between.

Here’s what famed SF author Stephen Baxter had to say in his review for SFX:

Kim Stanley Robinson meets Edgar Rice Burroughs. That’s how Guy Haley’s jam-packed sugar-rush of a novel reads, as you dive into its two alternating Martian timelines: one a gritty near-future Mars, reminiscent of Robinson’s mighty Red Mars trilogy, where pioneers seek out native life and struggle with the noble goal of terraforming, and the other a very-far-future Mars so advanced it’s come out the other side and turned into a bronze-age-ish hero society not unlike Burroughs’ Barsoom. The champion of the title is called Yoechakanon, and with his spirit-lover Kaibeli he is trying to save the remnants of mankind from a strange pan-dimensional invasion. But it gradually becomes clear that in fact the champion’s far future is intimately connected to the near future, both through an interweaving of very imaginative era-by-era interpolating episodes, and through mysterious deeper linkages, such as the presence on the young Mars of an enigmatic artificial woman called Cybele …

The whole thing is a marvellous planetary romance which crams in what feels like every Martian trope sf writers have ever dreamed up – and maybe that’s timely, in the year of the Barsoom movie John Carter. In places it strains at the seams, the final wrapping-up is a little rushed, and sometimes Haley’s prose is a touch pulpish, though it’s a tone that actually fits the subject matter very well. But all in all this is a novel with an ambition on the scale of Olympus Mons itself, and it delivers. Recommended.

There are other reviews here and here. You can also read interviews with me about the book (and my other work) at SFX, the Solaris Editor’s Blog, and on I Will Read Books.

And, here’s an extract! This is “The Last War of Tsu Keng”, one of the bridging chapters that, through the course of the book, bring the stories of the far future and the near future closer and closer together.

The Last War of Tsu Keng

Year 15,105 of the Hegemony of Man

 

The ships sang for joy as their pilots approached, eager to be free of their hangar.

The cavernous eyrie of the Royal Dock vibrated with energy, men and sheathed spirits running to and fro, support automata refuelling the machines and loading them with projectiles. The scramble alarm chimed its carillon, a calm exhortation to battle. Light dazzled, caught on a million facets of crystal and metals. The Royal Dock was a wonderful display of the decorative arts; that, and power.

Tsu Keng’s principle eyes were poor at such close quarters. He saw the furthest ships clearly: slender, killing darts a kilometre distant. They would appear distorted to a human’s perception, for Tsu Keng’s field of vision extended all around him; everything nearer to him was a smear of colour and movement.

But he could feel his pilot, the ripple of his approach cutting through the Second World as he walked toward the ship. He walked Tsu Keng’s gangway and presented himself at the ship’s main port. Krashtar Vo came into sharp focus as he came close to Tsu Keng’s near-sight eyes around the door. Behind him floated the spirit form of his companion, Kybele, ethereal against the tumult of preparations for war.

Tsu Keng saw the pilot in both worlds: as he was now, a Martian bred for the rigours of combat space flight – squat, heavy featured, dense bones, thick muscle, internal organs protected by fluid sacs and strengthened by encysted smart gels – and as he was in the Library, a flickering mass of faces, of histories, one laid over the other, a line of personalities stretching back to the dawn of this era. Permissions and activation whispers swarmed from Krashtar Vo, to interface with the ship’s own Second World self. Tsu Keng’s soul was different, monolithic. Not for him the psyche-clouds of the human Martians, or the choirs of the spirits, whose co-operative subminds made up a greater whole. Tsu Keng’s material and psychic self were indivisible. He was made for one purpose, and desirous only to serve that purpose.

Tsu Keng lived to fly, nothing but to fly.

His systems thrummed in anticipation of it.

“Greetings, Tsu Keng.”

“Greetings, Krashtar Vo. Welcome aboard, my pilot.”

Tsu Keng’s door skin developed a seam and rippled apart, and Krashtar Vo stepped inside. The gangway and door deliquesced, and Tsu Keng drew their lead-grey substance back into his larger mass. His door eyes rolled backward, their eyelids closed, and these too retracted into his body. The portal became smooth skin. His epidermal layer shivered, and a pattern of scales rippled, diamond plates lifting sharp edges up and then lying flat as Tsu Keng activated his armour. The atomic structure of his hide interlocked and became rigid, pressurising the liquid and ablative layers below it.

Krashtar Vo’s feet made only a padding sound as he waddled through the ship. He was heavily adapted for his role, and could lead a comfortable life neither upon the surface of Mars nor within a microgravity environment. It was said some of the pilots enjoyed the deep habitats within the atmospheres of the gas giants, but they seldom stayed there long; the call of deep space was too great. A sacrifice, this modification, some of the humans held.

What do they know? Krashtar spoke mind to mind. He had been a pilot only a few years, but already his bond with Tsu Keng was such that they could achieve interface without the aid of machine or spirit. No price is too great for this.

Tsu Keng thought this true. He had no conception that it could be otherwise.

Krashtar Vo gained the command bridge; he slipped into his couch and lay back. Tsu Keng wrapped himself about the pilot. Krashtar Vo’s body was hardened to the perils of slip space, and so required no stasis field, but Tsu Keng held him tight nevertheless.

There was a sensation like a kiss, and their minds ran one into the other. Tsu Keng felt a caress, and the man’s companion departed. They were lovers, it was said, Krashtar Vo and Kybele, and had been through many lifetimes. Unusual, a man and his companion to be actively engaged in an affair of the heart, or so Tsu Keng had been told. This also, Tsu Keng did not truly understand, not even when he and Krashtar Vo were one.

A call echoed through the canyon; one note, long and low, the song of the squadron alpha leader. The other ships responded, and the hangar became a sounding chamber for a harmonious outpouring of emotion.

We are ready, the ships and their pilots thought as one. We will fly.

The cradle arms holding the alpha ship folded back, and the ship dropped from the racks, plummeting to the floor. Gravity engines came alive, and it sped toward the dock mouth and out into sunlight.

Follow, it thought. The beta ships dropped – one, two, three. Then all the ships rained down, like oak leaves in autumn. They twisted around one another, a cacophony of hooting song sounding in both worlds, the electomagnetic spectrum crowded with their delight.

Tsu Keng and his squadron mates jockeyed for position, not breaking formation, not quite. Below them on the floor of the Royal Dock, men and machines moved painfully slowly, as slow as unphased Stone Kin. Tsu Keng and his kin laughed at them, fighting the desire to engage their slip drives there and then.

Not here, not now, said Krashtar Vo. Not safe.

The ships tumbled out of the hangar mouth into the Marrin, great bats leaving their roost. Sunlight turned their grey skins silver, and when they passed through the broad beams of the mirror suns, the scales of their armour sparkled iridescence.

Onward, upward! To war! To war! the alpha sang. Five hundred combat ships obeyed, falling into formation. Their shadows raced up and over the canyon bluffs, drawing excited gestures from onlookers below. In the Second World, companion spirits mobbed the souls of the ships and their pilots, wishing them well, good hunting, come home. Air roared against Tsu Keng’s skin, his sharp prow forcing it aside.

Oh, to be a ship of war! they sang. Oh, to be in flight!

Sky turned from caramel to blue to purple to black, the ship’s song became thin and then vanished into vacuum, heard only now in the Second World.

Stars shone unhindered upon the raiment of infinity. They were not alone. The heavens blazed with shiplight, bright dots moving swiftly, vessels the size of countries diminished by distance to needle-tips. Thousands upon thousands of them filled the sky in long trains, rising from Earth, Venus, and Mars, from the habitats, from the belt, from the moons of the giants, heading away from the Solar system, heading out for the stars and for safety.

The greater part of mankind was in flight.

Out from the warships, past the crescent of Mars, a great light burned, one that appeared foul and wrong to the eyes of the ships, a second sun in place of Jupiter.

The Stone Sun, brighter now than the tear in the sky it would close. The hyper-dimensional object Jupiter was becoming would constrain the Stone Kin within the gravity well of Sul, seal the tear in reality and keep the Stone Kin from infecting the wider universe. Sulian ships swarmed about the transmogrified gas giant, the fruit of Man’s last great labour, working without pause to ignite this second, uncanny star and save mankind.

It was here the Martian ships flew. This is where the Stone Kin concentrated their efforts. The craft of the kin descended to the lower dimensions and assailed the construction fleet daily, for they, like Man, wished to be free. This was but the latest of a thousand skirmishes.

To the fight, my brothers! called the alpha ship. To the battle!

Tsu Keng’s wings unfurled, as did those of his brothers and sisters. Their unity of purpose and mind saw them all drop up from this world, their wings folding them into complex eleven-dimensional geometries where the wills of the pilots could more effectively move them.

You are not here. Krashtar Vo’s inner voice, indistinguishable from Tsu Keng’s own, told him of his place in the universe, convinced him utterly that he belonged somewhere else. You are here.

Concentration was difficult. Things assailed them as they passed the Veil of Worlds into slip space, the infections of the Stone Kin spreading even there.

Screams scarred the higher reality of the Veil as ships succumbed to raking claws and incomprehensible technologies.

A short slip. Tsu Keng knew that he was elsewhere. That was the natural order of it. How could it be otherwise?

The Martian squadron materialised deep in the Jovian subsystem and into the heart of battle. Tsu Keng’s wingmate flew straight into a cloud of debris at near-luminal speed, tumbling into a million pieces. Tsu Keng’s combat wing split, the four remaining ships spiralling in evasive manoeuvres as thousands of anti-collision hardbeams vaporised the debris.

Krashtar Vo looked upon the battle through Tsu Keng’s eyes, his mind comprehending their situation as Tsu Keng bent his own mind to the task of survival. Their battlefield spanned anything up to eight spatial dimensions, only the highest and the second temporal axes safe, unsullied by violence. Combat was conducted at speeds approaching the four-dimensional maximum for objects of their mass. At such velocities, relative position at a distance was impossible to judge, so they fought at close quarters.

A dozen Terran ships fought a desperate fight with four Stone Kin vessels. The Terran ships were near-identical to those of Mars, the same in all but song. Their armour was scarred and their movements panicked. The Stone Kin craft – if they were craft, none had ever been captured, and no crew ever seen – warped and flexed. Their presence was an intrusion into three dimensional space, and their forms were not fixed. It was as if they rotated in their own space, presenting first this aspect of themselves to the lower dimensions, then that, where they could be understood only as disparate parts. The spirits and humans of ordinary spacetime perceived them no more clearly than blind men describing an elephant. Beams of exotic particles erupted unpredictably from their surfaces. Their effusion and potency defied analysis. Eleutheremics could not predict them. They might impact upon a ship with less effect than a ray of moonlight, or they could cut it in two.

The alpha ship severed the fleet’s higher linkages, lest the Stone Kin infiltrate the ship’s cortices. Training, experience, and force of will would determine the outcome of the day.

The Stone Kin shattered two more of the Terran ships to glittering clouds, and bright fire roiled and died in the vacuum. The remaining Terran craft fell back, joining with the Martian fleet. The ships greeted each other with long songs, broadcast on inter-ship ranges, but they were muted. The Terran ships were exhausted and afraid.

Today they could all die. They were poorly matched against the Stone Kin, no matter how many Sulian craft crowded the sky. The Stone Kin’s power was ineffable.

Survival did not matter, not to Tsu Keng. He and his fellow ships found the Terrans’ fear contemptible. To fly, that was all. To fight, that was what was demanded. He had no fear, he would fly, he would fight. Death was immaterial.

The Martian fleet surged forward. They ducked and arced like dolphins as their engines pushed at the fabric of space.

The Stone Kin revolved their incomprehensible bodies to face this new threat. Beams jagged out from them, all targeted unerringly on the alpha craft. Beams of infinite colouring intersected on the space where the alpha swam. Too late, its pilot attempted to exert her will and force the ship elsewhere. Its wings were part unfurled as it was cut into a hundred pieces, fragments of it spinning out and impacting on those following it.

Some of the younger vessels, those with inexperienced pilots, hesitated and swerved, songs vibrating with panic. The rest hurled themselves on, diving through the lattice of beams the warping Stone Kin projected. More ships died in ecstasy, annihilated as they flew.

The Martians had lost thirty ships already.

Krashtar Vo and Tsu Keng moved themself into an attack pattern. They part-deployed their slip wings. Their remaining wingmates spiralled down after them, copying their leader’s action.

Pilot’s and ship’s shared skin prickled as slipshields came online. Krashtar Vo enforced his interpretation of events upon Tsu Keng and the craft jinked madly, moving from location to location without crossing the space in between.

Tsu Keng deployed his cannons and opened fire. Krashtar Vo extended his mind, unique organs in his brain pre-observing an infinity of outcomes. Their joined mind was capable of processing vast amounts of information at once. Self-imposed ignorance was the lever to the imposition of will.

Vo’s mind, pushed to great heights by that of Tsu Keng, observed all possible quantum outcomes exactly simultaneously, not sequentially, preventing any one state of truth being determined before the desired outcome was chosen and enacted.

Not all men could become pilots, just as not all spirits could be ships. The act of forcing one’s will onto an eleven dimensional space required a stupendous act of double-thinking, for they had to be both ignorant and aware they were doing it. Awareness that all possible outcomes existed contaminated the observance of said outcomes, reducing the number of outcomes to one, and crippling the possibility of success. Through denial, they thus preserved the undetermined state of things before the time was ripe for determination to come into effect. At the same time, they saw what they saw; the inevitability. What happened was always the only answer. The pilots of Mars were unshakeable in their conviction that they were right.

They were bred to defy fate.

All truths, however, are subjective.

Together, Tsu Keng and Krashtar Vo observed exactly where the Stone Kin would be, and fired. But the Stone Kin operated outside of time, observing their fire at precisely the same moment, their will undermining the certainty principles of the aggressor.

Even if it was inevitable it would be hit, if the target could force its own interpretation of events onto the firer, then it would miraculously avoid the shot. Always. If the ship could force its own observed interpretations on a target’s, then the opposite would occur – it would always be hit. The target would either always be hit, or always be missed, but never both, as decided by the eleutheremic arguments constructed by the duelling craft, and how well they tricked their opposite number into adopting their point of view.

Combat was a matter not of flight, then, but of sheer will.

For a few brief moments, two observable realities vied with each other for dominance. Only one held true at any one time, but both could be true at different times, and the ships, the Stone Kin and the cannon’s ordnance flickered into and out of existence, describing multiple fractured courses and positions, the universe blurring into a myriad possibilities, time spread like a rainbow. The fabric of reality groaned under the strain.

Probability was wracked by a monstrous contest of wills. Packets of energy exploded or failed ever to have existed about the weaving, poly-possible craft. The ship was, then wasn’t, then was again, its potential ruination hanging on the threads of contested interpretation.

Seventeen thousandths of a second and it was over. Tsu Keng’s fire raked over the body of the Stone Kin. Volleys from his wing mates crisscrossed the thing. For one moment its pulsations stilled and its form solidified into something ugly and squamous.

It imploded, and ceased to be.

The Martian fleet flickered through the space the alien craft had occupied, rolling and singing as they moved from one potentiality to the next. Emboldened, they assailed the remaining three Stone Kin. Many died.

The sky wept tears of light as ships left mankind’s birthplace in their millions, fleeing the tear in the sky. The harsh light of the transformed Jupiter glared at them all as they fled. The Stone Sun was one fight closer to being kindled, the Stone Kin one step closer to being trapped. Earth, Mars, Venus – the ancestral homes of Man – would be entombed with them, but the plague of the Stone Kin would go no further.

Tsu Keng did not care. Tsu Keng flew.

Finally, if you’d like to read the first two chapters, you can do so right here.

Champion of Mars is available at all good bookshops, and off that internet thing.


Today Champion of Mars is out in the US! Hooray! Americans can buy it here. We Brits and other assorted Euro-types have to wait until May 10th. Oh well. Whet your appetites with the free sample, or head over to Solaris Books for more information.

There are two interviews with me online about it now, one at the Solaris Editor’s Blog, the other at SFX. They’re about the same book, so I do repeat myself a little, but about halfway through they diverge and I talk about Richards and Klein, writing spin-off fiction and other highly captivating subjects. Really, you’ll be captivated.

I’m not doing much at the moment. I had a flappy piece of cartilage removed from my knee last week and so will be out of action for some time. I can’t walk or move about at all. It’s very frustrating, and it’s made me think on how people with real mobility problems must feel. Worst of all, I have had to send Doctor Magnus away to the kennels until I recover enough to walk him. He’s a teenage pain in the backside at the moment, but I was welling up as I booked him in.

So, to take my mind off it, I submitted a short story today (expect to see it here when it is inevitably rejected) and  I’ve put a whole load of reviews up, including one of Lavie Tidhar’s early novella, An Occupation of Angels, where I make some comments on the perils of reviewing books of colleagues and friends. There are many others too, head on up to the drop down menus at the top. All these reviews date from my slightly angrier period (I’m always frigging angry, but I used to be more angry), so you may notice a change in tone to the later ones.

Until later.


Spring is packed this year. Omega Point was out last week (in the US, UK edition out on 6th April), and Champion of Mars is out on the 26th of this month in the US, on the 10th of May in the UK. I’m not attending Eastercon, mostly because it’s Easter and I’m off back up north, but I will be at The Discover Festival on 18th-19 May at Snibston near Leicester.

There are a couple of interviews about Champion of Mars due soon, one at Solaris the other at I Will Read Books. In anticipation of that, I thought I’d post this article I wrote for Death Ray on William Hope Hodgson, as his work was a big influence on Champion of Mars. This piece appeared way back in 2007 (sheesh, time flies). I haven’t put it up until now as I had no copy on file and had to TYPE IT IN, so I hope you enjoy it. If you’ve not read Hodgson before, I seriously recommend him. I read the Gollancz collected novels of Hodgson whilst travelling around India on honeymoon, which was interesting. Nice bit of romantic, light reading.

Terrors of the Sea

Some of the all-time greats of SF are all but forgotten. Guy Haley puts the case for William Hope Hodgson, whose tales of the occult paint a powerful picture of a wolrd threatened by unseen horrors…

On occasion, at ist very best, science fiction is a genre of truly impressive  wonders. But only infrequently  are the heights of imaginative excellence scaled, and all too often the writers who accomplish the feat soon languish forgotten.

One of those rare visionaries was William Hope Hodgson, an early 20th century author, sailor, photographer and bodybuilder whose work deals with big stuff – no less than the spiritual perils of the outermost darks, and the fate of humankind.

Hodgson’s stories crackle with muscular energy, and his prose can –at its best – attain a stunning majesty. His work bears comparison with the later HP Lovecraft, and shares similar themes; notably that there are powerful alien creatures out there, and that their very existence is inimical to human life. As Lovecraft himself said, “The work of William Hope Hodgson is of vast power in its suggestion of lurking worlds and beings behind the ordinary surface of life.” But unlike Lovecraft, Hodgson’s books brim with the indomitability of the human spirit, and his heroes are men of action who often survive their adventures to tell the tale.

Hodgson was born into the family of an Essex clergyman in 1877. At the age of 13 he attempted to run away to sea, and though initially unsuccessful, by 1891 he was allowed to become a cabin boy. He remained a sailor for eight years, and this career had great impact upon his character.

The sea appears in much of Hodgson’s fiction, although he professed to hate it. He wrote many nautical poems and stories, but it is in two of his better known novels, The Boats of the Glen Carrig (1907) and The Ghost Pirates (1909), that his interest in sailing and what he termed the “ab-natural” collided. The first is the more haunting (if harder going) of the two; a dark tale of shipwreck survivors who find themselves tormented by pallid creatures on an island swathed by entrapping seaweed.

Despite this recurrent theme, his finest creations actually have little to do with the sea. The House on the Borderland (1908) is a short novel that tells of a mansion built upon a metaphysical faultline, a liminal building that is neither of this world nor truly of the present. A diary reveals that the last occupant experienced an out-of-body experience there, which led to terrifying  encounters with “swine-things”, finally culminating in an almost psychedelically described trip to the end of time (a trip reminscent of that in HG Wells The Time Machine) and the house’s destruction.

It is the far meatier The Night Land (1912), however, that is generally reckoned to be his finest work, and should be read by all who enjoy weird fiction.

The Night Landis set millions of years in the future, a time when the sun has died. The ancient Earth is shrouded in blackness haunted by monsters, granted ingress to our own realm by the meddlings of aeons-dead science. Against all the odds, mankind survives in a vast pyramid known as the Great Redoubt, living in peace with one another, even as time marches on toward their unavoidable extinction. The story concerns a man who receives a message from a woman he believes to be his reincarnated wife, and he sets out to fetch her from the long-lost Lesser Redoubt.

True, The Night Land is written in appalling cod-archaic English and includes a great deal of what China Mieville – in his introduction to The House on The Borderland, the Gollancz Fantasy Masterwork collected works of Hodgson – calls “egregious romance”, but it triumphs over its self-imposed limitations to give us a quest story of breathtaking power. This is truly one instance where a writer can be seen to triumph in spite of himself, and Hodgson’s vision of this alien, inimical Earth remains in the mind long afterwards.

Other creations of note by Hodgson include Carnacki the Ghost-Finder, a collection of short stories which detail the adventures of a paranormal sleuth. Carnacki is a tough customer. While a Lovecraftian protagonist often ends a story with his sanity is tatters after an encounter with some horrifying monster, Carnacki chases after it with his revolver.

William Hope Hodgson was killed, aged 40, in The Great War by a German shell. With characteristic bravado, he died executing perilous, voluntary duty. He left behind only a relatively small body of work, but one which has had a lasting impact.

Here’s a couple of elderly websites with more on Hodgson. For general information go here, while The Night Land is devoted to, you got it, The Night Land and has stories penned by other authors. Gollancz’ collected edition of Hodgson’s novels, mentioned above, is a bargain and a great place to start.